The colorful opening graphics and credits punctuated with African music and drums set up an effective introduction. We know that there will be more to the movie than just a safari. At the time of the film, Kenya was one of Britain's many African colonies. Victor Mature is he-man Ken Duffield (though he looks more like a Vic Russo) hired by wealthy Sir Vincent Brampton (Roland Culver) to lead him on a jungle hunt for a large maverick lion known as Atari ("Danger"). Sir Vincent's fiancée, the voluptuous Janet Leigh (Linda Latham), early on tells Ken that he is a "BWH" (big white hunter). More than hunting, though, Ken is more interested in finding bloodthirsty Jeroge (Earl Cameron), a Mau Mau "general" who – early in the movie – betrayed Ken's household during a frightening attack and murdered his young son in cold blood. In the movie's course, we see a native dance and a Masai ritual lion hunt. Then Linda takes an ill-advised rubber-raft trip in a crocodile-infested river that ends in dangerous rapids. We will also observe the killing of several animals, including those of a hot-tempered bull-elephant, a rhino, and some lions. These animal killings of the 1950s will not please those who are against big game hunting in principle. Conscience of their environment, they demand preservation of our animals.

Among the cast are Juma who acts as Odongo, and Orlando Martins, who, as Jerusalem, likes to play the trumpet when the expedition is at camp. Both Odongo and Jerusalem hate the Mau Mau and are loyal to Ken. Odongo, Ken's boy-assistant (13 years-old) certainly has a captivating laugh. When 200 Mau Mau later attack the hunting expedition, Ken's automatic weapon helps keep the evil horde at bay. More help will be needed though, and it will come in the form of competent native (colonial) police coming to the rescue. They are as welcome as the US cavalry. In the meantime romance has developed between hunter Ken and beauteous Linda. At movie's end it is assumed that they will marry and that they will adopt Odongo, whose conclusive laugh is fitting indeed. The film is wonderfully filmed in Technicolor, while those beautiful animals are always so magnificent to see. They remain Africa's treasure indeed!

"In the jungle, the quiet jungle, the lion sleeps tonight." That was a rock 'n' roll hit in the late 1950s. Where did an American recording group get the idea to do such a single? From this movie, in which the African characters, while marching on safari, sing it - an authentic African folk song that easily translated to a rhythm 'n' blues beat. Here is a fine example of what they used to call a 'program picture' - not a B movie in the early-indie junk-movie sense, or an A studio production either. Just before TV ruled, the major studios used to make minor films (though not B movies, mind you - something beyond that but below a B feature) and called them programmers. That way, they could make use of the actors, writers, directors, etc. who were on a regular payroll, a concept that would die early during the next decade. After all, if you were going to pay all of those people a weekly salary, might as well knock out modest movies that, when you think about it, cost them little but the price of raw film stock. They could be marketed on double bills, then sent over to the Drive-Ins, and finally put into a package that went to local TV channels in those days before the networks got hooked on full-length films (fall of 61). So here were Victor Mature and Janet Leigh as an older man and younger woman who find themselves together on a safari that her father arranges. Mature has ulterior motives - his family was destroyed in a mau-mau attacks some years earlier and he wants revenge, thinking this may be the way to get it. The mau-mau attacks are very well staged by Terence Young, who would go on to do several Bond films. Crisp color and a strong soundtrack qualify this as precisely what it was meant to be - far from a memorable movie, but a time killer that doesn't leave you feeling that you've wasted you're time when it's over.

A man who poses as a safari leader in order to seek revenge against the Mau Mau rebels who murdered his son. Hired to guide a jungle expedition by an eccentric millionaire, he finds himself drawn in to a romantic relationship with his client's beautiful fiancee.

Cecil B. DeMille called Mature "100% yellow - the greatest coward ever born," and even in this colourful action-adventure film he was reluctant to go into the water due to crocodiles, which is strange as filming in Kenya back then with a Mau Mau uprising was dangerous. He, along with other Sterling cast, were taking a risk.

Basking in Technicolor, Safari is a solid jungle film, the kind they don't make anymore. The action is quite gritty and exciting. There's some good tension and good characters like the one played by Ronald Culver, a cold-blooded rich man intent to notch a big lion kill as his trophy. But it's Victor Mature who really impresses as the safari leader with an modi operandi to lead an entourage in to an area where Mau Mau terrorists are around. The reason are explained in the first twenty minutes - far from wooden, Mature expresses anguish just by that look in his eyes. He was always better actor than he has been made out. There's a 007 connection as Terence Young directed it and Albert Broccolli co-produced.