Mae West was an acquired taste. Some negative comments in this forum seem to forget the enormous talent of Ms. West, who was, without a doubt, a woman way ahead of her times. Mae West was the writer and the star of "Diamond Lil" on Broadway, a huge success at the time. The screen play, while not the strongest thing in the film, offers some good moments in which the star shines. Under the direction of Lowell Sherman, this Mae West vehicle appears somehow dated.

The mere task of translating the stage play into a film must have given the studios executives nightmares. How would Mae West get away with some of the suggestive dialog, where innuendo and double entendres play greatly in the star's delivery? Ms. West seems to be having great fun in playing Lady Lou, a woman who attracted men by just being there.

Cary Grant plays a small part as the Salvation Army Capt. Some of the most suggestive dialog in the film is directed at him. Gilbert Roland is another man that catches Lou's eyes and she makes it known she wouldn't mind a visit at her star dressing room any time.

We also see some of great old players in the film. Owen Moore is Chick. Noah Beery plays Gus. David Landau, Rafaela Otiano, and Dewey Robinson are seen in supporting roles.

The film is worth seeing just for the witty and daring dialog Ms. West wrote. Some of the lines are classics by now.

Mae West is certainly entertaining with her wisecracks and sexual innuendo. Unfortunately, she's the only entertaining thing about this whole film. The other actors, even a young Cary Grant, aren't given terribly interesting characters to inhabit. The whole thing is set-bound and the story is nonsense.

Okay, maybe not nonsense, but it is cluttered with too many subplots and one-note characters which fail to hold interest. The first ten minutes are a pain to sit through, mainly because West isn't there to enliven the proceedings. That should not be.

She Done Him Wrong (1933) is an interesting curio and a showcase for Mae West, but as entertainment, it is lacking.

"She Done Him Wrong" is an early hit film for both Mae West and Cary Grant. West is Lady Lou and Grant is Captain Cummings. Other key players include Owen Moore as Chick Clark, Gilbert Roland as Serge Stanieff, Noah Beery as Gus Jordan, David Landau as Dan Flynn, and Rafaeta Ottiano as Russian Rita. The cast are all good and the story is interesting, if a little slow. Others describe the plot, and I thought some movie buffs would be interested in some of the background of the movie and the stars.

This film is credited as the movie that made Mae West a star. It was only her second film, but first lead role. She already had made her mark on Broadway where she acted in plays that she wrote for herself. In an introduction on the DVD of this movie, host Robert Osborne says that this film saved Paramount studios from bankruptcy. Paramount was due to go under, but the box office from "She Done Him Wrong" put the company back in the black. And, with Mae West as the studio's new star, Paramount continued on its track back as one of the big filmmakers. The movie also helped push Cary Grant's career. Grant had risen to male leads in three films the year before.

A check of histories elsewhere affirms that Mae West's two films in 1933 (the other being "I'm No Angel") were a boost to Paramount, but none attributed the recovery directly to that. The company remained in trouble for a time. Studio head Adolph Zukor is credited with pulling the company out of receivership. He had also acquired a number of other top stars along with West and Grant. Those included Claudette Colbert, Bing Crosby, Marlene Dietrich, Carole Lombard, Jeanette MacDonald, and the Marx Brothers. They all made some hit movies that helped restore Paramount's star.

Osborne related some interesting background on this movie. Mae West had written and starred in the hit 1928 Broadway play on which it is based, "Diamond Lil." But, when Paramount bought the movie rights, apparently the Production Code office notified the studio that there was no way it could make "Diamond Lil" into a movie. The play was far too racy for the motion picture industry's new standards. So, Mae West, the other writers and the director went to work to revise the film. The first thing they did was change the name. The new screenplay replaced racy dialog and scenes with innuendo and double entendre. Osborne said that Mae West later was quoted as saying that the Production Code led to better movies because the studios wrote better stories with innuendo and suggestion that made them much funnier than they were otherwise.

It's interesting too that West made only 13 films in her movie career. Three of those were more than two decades after she left Hollywood in 1943 to return to the stage and nightclub entertaining. She was 87 and living in Hollywood when she died in 1980. Of course, all those other names above from Paramount went on to become huge stars as well.

This is a good film, but nothing special. West made only two films considered very good –"'I'm No Angel" and "My Little Chicaddee." She was more of a sex symbol with a come-on persona, than she was an actress. She had some good years on stage, acting and writing, and she worked the nightclub circuit for most of her career. Here, West sings "Frankie and Johnny," which may be the first time that long-time popular American song was used in the movies.