Stunt Rock

1978

Action / Drama / Music / Romance

4
Rotten Tomatoes Critics - Certified Fresh 80% · 5 reviews
Rotten Tomatoes Audience - Spilled 30% · 100 ratings
IMDb Rating 5.5/10 10 627 627

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Plot summary

Australian stuntman Grant Page goes to Los Angeles to work on a television series. He uses his spare time to lend his expertise to rock band Sorcery. Page helps the band develop pyrotechnic magic tricks for their shows, and also recounts to his own exploits as a stuntman and daredevil as well as various stunts by other greats.


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February 13, 2022 at 06:57 AM

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23.976 fps
1 hr 31 min
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English 2.0
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23.976 fps
1 hr 31 min
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Movie Reviews

Reviewed by Wuchakk 6 / 10

A marriage of 70's stunt work and 70's theatrical rock

Popular Australian stuntman Grant Page travels to Los Angeles to work on a TV series and helps a fantasy-themed rock group with special effects & stunts for their live show. Meanwhile he develops a relationship with a journalist (Margaret Gerard).

"Stunt Rock" (1978) contains interesting info on stunt work and its history with several entertaining stunt sequences, including myriad flashbacks to Grant's last several movies, but it gives equal time to the real-life band Sorcery (not the group from Chicago), their songs and concerts.

The story that links these two is given short shrift and the band members are clearly musicians/entertainers, not actors (in other words, they're noticeably wooden). Page does fine as long as he's working with real actors as opposed to the band members.

Sorcery's music is a meshing of 70's bands like Alice Cooper, Sweet, Zeppelin, Styx and Boston, just hampered by vestiges of Woodstock, if you know what I mean. They later did the soundtrack for the heavy metal slasher "Rocktober Blood" (1984) in which they adapted their style to the early 80's metal scene, improving their sound with songs like "I'm Back" and "Killer on the Loose" (check 'em out on Youtube).

Monique van de Ven from the Netherlands joins statuesque Margaret on the female front as an actress on the show Grant is working on.

As a documentary on 70's stunt work, this is entertaining enough, but I had enough of Sorcery's music & performances by about the 55-minute mark. They're no slouches, they're just not on the level of Alice Cooper or Kiss to maintain the viewer's attention, as far as 70's concerts go.

The film runs 1 hour, 31 minutes, and was shot in Los Angeles and Sydney.

GRADE: B-

Reviewed by tristanavakian 3 / 10

come for the dumb, stay for the crazy

I picked this up at the video store because of Tarantino's recommendation ("If you don't like (this), go f&^% yourself!") on the box... seemed like a ringing endorsement.... I was expecting something a bit more like "Death Proof"... not much actual violence in this one tho, or plot, of character, or dialogue.

Look at the poster. It's all there. Stunts, and rock. It goes back and forth. A week or so in the life of an LA band that does a crappy magic show, at a level that you'd maybe see in one of the lesser casinos off the Strip, and an Aussie stuntman new in town finding his feet... They work, they meet girls, they party. End of story.

The band obviously needed all that stuff because they are frankly second-tier, and playing a style that was already dated in 1978. It has to be said that the stunt bits in the film are genuinely spinetingling - that Aussie fellow really is something, and the film seems largely motivated by love and respect for the "art". I hung it there to see what crazy thing he'd do next. Just wish he could have found a better vehicle.

Reviewed by samxxxul 7 / 10

Classic Ozploitation of the 70's, also a homage to 1970's stuntmen

Part drama, part stunts showreel, part rock concert film featuring Grant Page, the famous real life Australian master stuntman best known for his work on Mad Max, Grant, who plays himself, goes to Los Angeles to work on a television series. In this 1978 mocumentary page helps a band (Sorcery) to develop pyrotechnic magic tricks for their shows, and also recounts his exploits as a stuntman and daredevil, as well as a very informative movie about stunt work for movies and what goes on behind the scenes. The acting is superb as page plays himself and he fits in this movie better than Deathcheaters (1976), the script wild and unconstrained and the direction is wild. In total this gives you an experience of what cinema really should be, bereft of CGI and special effects and crazy budgets it just rides along free as a bird. And then there's the music. To be fair, there are so many tunes that ranges good to out-and-out classic. The music in this film is a spectacular array of AOR, Heavy metal and classic rock something you won't hear in a film's soundtrack nowadays. A downright Ozploitation classic.

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