... doesn't really do anything interesting with the premiss, IMHO.

Escape From New York took a similar idea and did much more with it; there are also echoes of Lord of the Flies in what they *do* decide to do with the plot but, again, the latter did this better.

Also, despite it being cited as some sort of feminist allegory, the early nominal centre of the film (Carmen) gets rapidly sidelined once the women are freed from the main group, whereupon it's mainly two "guy gangs" - one nominally good, the other unambiguously bad - against each other, with lots of bad acting and cheap effects.

Not recommended.

It was really weird to see Tom Selleck and the black guy from Magnum P.I. in a movie together considering I have never seen either one of them in anything else. Do they always work together or was this the only time? I'll probably never know. Anyway, I wasn't expecting much from this movie and I was pleasantly surprised.Strangely, they start the movie with a news team and make it look like they will be a big part of the story but their part is done before the opening credits roll. I assume it's an original plot, although it's very similar to how Australia became a country. The fight scenes we're a bit weak, you could easily see that nobody was really getting hit, but the story was good enough to make up for it. It was a little predictable too but most movies are. I thought it was weird that there was so much nudity and so little swearing, they usually go hand in hand.It was also a bit weird that the woman who was the main character for most of the movie isn't even in the final few minutes but maybe it was just an editing mistake. This is a good movie, watch it.

The early 1970s B picture "Terminal Island" has an effective premise with which to work. In the "future", the Supreme Court has declared the death penalty unconstitutional. In its place, criminals are now dumped on an island 40 miles off the American coast. Here they're (mostly) left to fend for themselves. The latest arrival is a young woman, Carmen (Ena Hartman), who's just in time to witness an uprising. Some of the convicts are tired of the tyranny of their "leaders" Bobby (Sean Kenney, "The Corpse Grinders") and Monk (Roger E. Mosley, "The Mack"). So a small group splits off from the main group, and plots revolution.

Co-written by James Barnett, producer Charles S. Swartz, and director Stephanie Rothman ("The Velvet Vampire"), "Terminal Island" is pretty good for this kind of exploitation fare. It fulfils its requirements - violence, sex, nudity - adequately, and is simply beautifully shot (by Daniel Lacambre, "Humanoids from the Deep") on some pretty locations. While it naturally has its trashy moments, it never really wallows in unpleasantness, and it does have a sense of humour, to boot. (Watch how the horny character, Dylan (Clyde Ventura, "'Gator Bait") is dealt with.) The story is a little thin, but is also provocative on occasion. (Dr. Milford, played by a young Tom Selleck, was convicted of the mercy killing of a patient.)

The cast is full of then-stars, stars-to-be, and familiar character faces. Also appearing are Don Marshall ("The Thing with Two Heads"), Phyllis Davis ("Beyond the Valley of the Dolls"), Marta Kristen ('Lost in Space'), Barbara Leigh ("Junior Bonner"), Geoffrey Deuel ("Chisum"), James Whitworth (Papa Jupe in Wes Cravens' "The Hills Have Eyes"), Richard Stahl ("Nine to Five"), Sandy Ward ("Cujo"), and Albert Cole ("The Incredible 2-Headed Transplant"). The film gained newfound attention when Selleck and Mosley found later fame on 'Magnum P.I.'. Kenney and Mosley are particularly fun as the antagonists of the piece.

Full of solid squib action and some satisfying explosions, "Terminal Island" is worthy of discovery by devotees of the B pictures of decades past.

Seven out of 10.