This is the second Robbe-Grillet movie i watch, first one was "L'immortelle". I think "La belle captive" is slightly better. To be precise, i can't tell for sure this is objectively better, i just liked it more, even though, as it seems, ""L'immortelle"" has a better reputation. Definitely, visually wise, it was superior. However, "La belle captive" seems to me more coherent and accessible. Not that it makes sense - it doesn't. After all, it's Robbe-Grillet. But i could empathize more with the characters and there is something else : The mysteries here are just an excuse. Most important thing is the leading character. Whereas in other mystery movies with no resolution, viewer gets frustrated, in this movie, mysteries are not that important. Leading character's journey is the most important thing here and his reactions to all the weirdness around him.

I know that my review is not helpful at all. In conclusion : If you like art drama/mystery movies, something like a French David Lynch in his most bizarre but not that intriguing, you will like it as well.

" - Je me sentais vide, translucide, pas à ma place parmi ces faux danseurs..." It is no obligation and artistic freedom that apply. Stylized and elevated. Et profondément français. As in the theatre. The French theatre. Where the feminine is presented and handled as objects. Often admirable objects. Naked. Even when fully clothed. While the masculine populace strolls among these things, values and penetrates. And seeks support and acceptance in the male environment. A French formula that we in the audience proudly accepts.

"La belle captive" is a play with the possibilities of cinematography. I bet it stands on David Lynch's most valued shelf. Because the film is practically a model for "Twin Peaks". As it has become an important inspiration for the Lynch-era 1986-1999.

Alain Robbe-Grillet writes like very few others. But his imagery/metaphorical language is surprisingly lame. Sometimes even awkward. And on top of that, using a narrator's voice ... There are a bouquet of scenes in "La belle captive" that are deeply unforgettable. And the film breeds analysis and reflection. Still, it's just a game. A distraction. " - I felt empty, translucent, out of place among these fake dancers..." "In his seminal collection of essays, Pour un Nouveau Roman, Alain Robbe-Grillet launched a polemic against the dominant, realist literary mode characterized by the absolute time of linear chronology moving to create related event and causality and to fulfill a destiny. [...] The role of Balzacian absolute time was to arouse emotion by creating suspense and to provide the psychological satisfactions of meaning, resolution, and closure in a world considered objective, concrete, but nonetheless in the image of man who projected himself and his meanings by analogy and metaphor on the environment. (Raylene L. Ramsay)

Loved the blurriness of the movie, the french finesse, the sexual aesthetics. Complicated,into this void of dilution, yet simple in a peculiar way.