"Die Konsequenz" is a West German 100-minute film from 1977, which means this one will have its 40th anniversary next year. And even if this is a very long time, it is still somewhat strange to see a film from the late 1970s still in black-and-white. But it did not hurt the movie at all, possibly even helped it. The director here is Wolfgang Petersen and he is also the one who adapted Alexander Ziegler's novel for the screen here. Ziegler was still alive when this one came out. He committed suicide about a decade later. Petersen worked with Jürgen Prochnow on several occasions and most people will immediately think of "Das Boot", but this one here is the much better collaboration between the two, even if it is not very known outside (maybe even inside) Germany. It should be though and I hope my review can make a few people curious about this movie. Prochnow plays a convict in here, who falls in love with one of the warden's sons (played by Ernst Hannawald in a career-defining performance). This is about the first half of the film only though.

Everything that follows is about the duo's relationship. The boy's father does not agree with it and has the son sent to a very questionable correctional facility where one of the instructors severely hurts the boys physically if they don't obey his every word. Sadly this gruesome warden (probably the main antagonist of the film) gets lots of support from the institution's director (played by Hans-Michael Rehberg who is known to German film fans for sure), who absolutely has his back despite the unnecessary cruelty. When Prochnow's character finally manages to get his young lover out of his hellhole, more problems arise as friends turn into foes and agreements are broken.

All in all, this is a very touching film. I thought it needed a bit to really suck me in and I did not care for the prison scenes early on too much, but everything afterward is a very thrilling and tense watch that had me at the edge of my seat. Prochnow and Schwuchow are outstanding, everybody else (including Hannawald) is really good too. It is very easy to feel for the couple and hope they will find a way to manage their struggles and overcome these obstacles that these dark times back them posed for homosexual couples. It is weird to imagine this film came out almost the very same time like "Taxi zum Klo". It is such a different film, even if the topic is somewhat similar.

I was really positively surprised here and very much impressed by this little hidden gem. You already see from the title of my review how much I enjoyed the watch and felt for the characters. The biggest strength, however, apart from the acting is that this film uses homosexuality just as a framework and managed to construct an intriguing story inside that framework. Many many gay-themed (short) films use this subject as the core component of the story and occasionally don't even try to elaborate beyond that or, if they do, they frequently fail completely. But Petersen and Ziegler make all ends meet. You absolutely have to see how they did it exactly. Do not miss out on "The Consequence". This is my favorite 1977 film at this point.

Beautiful black and white cinematography is the main pillar this modest and distressing coming-out drama rests. The script is intelligent without being intellectual, and has some amazing and surprising scenes. Main cast members Prochnow and Hannawald are excellent; Wolfgang Petersen handles the laymen cast very well.

I do not think that (20 years after date) this film has lost any actuality. Besides, this film is honest, unsentimental and without sensationalism, something that can not be said of the average mainstream coming-out film of the 80' and 90's.