This very well-crafted film recalls the tragic terrorist attack in Paris at Charlie Hebdo that was followed by another attack in Copenhagen. Both attacks occurred in 2015.

The structure of the film follows the lives of various characters that will intersect during the terrorist attacks. Finn was a filmmaker and a staunch defender of freedom of the speech. His heroism during the attack may have saved lives, although his own life was cut short. Dan was a security official who died in front of the synagogue in phase two of the attack. The principal terrorist was killed by a Swat team member, Rico, whose life is also traced through the film.

One of the best scenes was a dinner table conversation in which Finn took a strong stand in support of freedom of expression. It was clear that other members at the table had caved in to the climate of fear. That scene, as well as the film itself, merits repeated viewings.

I live in the same hood as the center of this story is placed; the smaller café and aventplace "Krudttønden". When the terroract occured it was some strange 24 hours or so, where police was everywhere, parts of the city was closedown and people where scared... "What will be the next thing happening...?" So making a movie of this day and the hunt for the terrorrist as the maintorque, seems natural and inevitably. Storyline and the focus on certain main caracters involved in what happened is quite allright, and especially the last mentioned gives the movie some kind of originality. I like the focus on the terrorist and his personal story, cause that aspect of the story seems important for us all to understand his reasons for doing what he does. But the focus on the 3 people who dies and their deeds this day and morning and the way their acts are heroized, maybe seems a little bit to much in my opinion. A smaller detail, but quite incomprehensible that no-one, not director, editor or anyone at the "set" have thought of this: A couple of times you see a busline "5C" driving through the streets. It has a characteristic look with light blue colours. This particular busline, was first created about 2 years and 2 months after the terroract occured. I just can't understand how this can be ignored when making the film. It seems rather amateurish.