A woman stays overnight at the Devil's caste and dreams of Helga and her lover. They are Germans who speak Italian and like garlic. There are witches and spell casters and a guy in a red hood as Magda wants Helga's boyfriend Hans.

The restoration was bad in a number of spots and good in other. The erotica is the sell element of the film, and that aspect doesn't exist in the beginning and is heavy loaded into one scene of F/F lovers during some rite. Plot wise the story leaves much to be desired too. Over priced.

Guide: Sex and nudity

The heyday of the Italian Gothic Horror genre was the early-to-mid-1960s; even so, the style lingered on well into the next decade but the results were often far beneath what could be accomplished at its best. Naturally, this is one such example: actually, we start off here with a contemporary setting and the heroine ("Euro-Cult" favorite Rosalba Neri) dreams herself back at least two centuries – under the influence of an old mansion where, legend has it, the devil used to reside! An element these later efforts certainly took advantage of was the relaxation in censorship, except that then we tended to get copious nudity at the expense of plot (and even atmosphere): at one point, for instance, a couple of nubile girls are gang-raped and forced to copulate between themselves inside a cave, a sequence that has no bearing whatsoever on the central plot! For what it is worth, the narrative involves two girls (one is Neri and the other is played by a companion of hers in the modern 'bookends') who both love the same man; when he chooses Neri, the rival (herself pursued by another, played by Robert Woods) turns to a witch who puts a curse on the former. This results in Neri being seduced by a stranger (Edmund Purdom), losing her lover to him and getting burned at the stake for the latter's death…all on her wedding night and, surprise surprise, the interloper is eventually revealed to be Old Nick himself! While the lethargic pacing is decidedly characteristic of such fare, the inept handling is not and, in this case, makes the film a snooze-fest as opposed to the mood-piece its creators probably intended! When I first came across this one, I was intrigued by its description as "the greatest Rosalba Neri movie ever"; however, having checked it out for myself now, I regret to report that things could not be further removed from the truth!

You gotta love the 1960s and 1970s European horror flicks. Most of them, anyway. "L'amante del demonio" (alternately called "The Devil's Lover" and "Lucifera Demon Lover" in English) is too slow-moving, and much of it looks like scenes that they added to fill space. There's no shortage of sex, but the movie has so much wasted potential. I prefer it when these movies have lots of blood and guts, and this story of a young woman who goes to sleep in the 20th century and wakes up in an earlier century (where she sees all manner of evil things) just doesn't have enough of that. I recommend sticking with a Jess Franco movie or a Michele Soavi movie if you're looking for some classic Euro-horror.