This is an interesting film about nuns and murder that was shocking in it's day, but suffers in three areas.

First, it stars Anita Ekberg in her most skintastic role. No, you don't get to see her 40-23-38 body, just a brief flash of bun as she manages to get a quickie in town while she is stocking up on her drugs. Yes, she is a junkie nun and she also has a mental illness or brain disease. You never know which as everyone denies there is anything wrong with her. However, she is prone to fits of rage. Is she capable of murder? The murders starts when she returns from town. They are not particularly gruesome, and those looking for giallo will be disappointed.

Finally, there is a hint of lesbianism, but those looking for full blown nunsploitation should look elsewhere. Her roommate is Italian Playboy Playmate Paola Morra, in her first film. Now, Paola does swing both ways and does give full frontal. She is definitely something to see as she is incredible beautiful, but there is no action between her and Ekberg - you just have to imagine it.

The film was well directed and well written. It was an interesting work, but I feel that it will disappoint more than it will entertain.

Sister Gertrude, in the 1978 Italian horror film "The Killer Nun," is certainly not your typical, garden-variety nun. Addicted to mainlining morphine (Sister Morphine?!?!) as a result of a recent brain tumor operation, she also smokes cigarettes, drinks liquor in bars, hallucinates, has up-against-the-wall sex with casually picked-up men, wears makeup, steals, engages in domineering lesbian sex with her roommate, and, perhaps most shocking of all, refers to her Mother Superior as "bitch." Still...does that mean she's responsible for the wave of recent murders in the French hospital where she works? What would YOU think? As played by Miss Sweden 1951 herself, Anita Ekberg, Gertrude really is a sight to behold, both in and out of the, er, habit. Sadly, this picture, though great sounding in synopsis, is a real mixed bag, never dishes out quite enough in the sex and violence departments, and will probably leave most viewers wanting more in terms of sleaze, shocks and scares. Still, there are some pleasures to be had here. Giulio Berruti's directing is occasionally quite stylish, and the film's score, by Alessandro Alessandroni, is freaky (especially during Gertrude's "shooting sprees") and really quite excellent. Film buffs will also be happy to see Alida Valli and Joe Dallesandro in small roles, and one of the film's murders, featuring multiple hypodermic needles in an old woman's face, should satisfy all the gorehounds out there. The DVD that I just watched, from the good folks at Blue Underground, looks fine but has been poorly dubbed; subtitles would have been infinitely preferable. I had to watch the film twice to make sure I understood the ending correctly--the hushed, fast-talking dubbing doesn't always make things easy--and, if I may make a, um, confession, did appreciate it more the second time around.

Far better than I remember thinking on my first viewing but that was a while ago and now I think of it one of my first in this field. Probably not a good one to encounter first because it really is such a strange one. Pretty surreal with nuns drifting down corridors, gowns splayed out behind and the dreams, imaginings and nightmares punctuated with goring killings and lusty couplings. Ekberg is fine but so is everybody and they all play weird so that this also helps to give the film an unreal feel even though it is firmly set in a convent and supposedly based upon a true case. A stand out moment is the crushing underfoot of the poor old lady diner's false teeth, as we cut from the vicious trampling to the squirming old lady, hands to her mouth. Music is pleasant enough and effective if a little derivative and if Dallesandro seems the most normal person on the screen that just goes to show something about this true one off.