The Last Hurrah

1958

Action / Comedy / Drama

10
Rotten Tomatoes Critics - Certified Fresh 83% · 12 reviews
Rotten Tomatoes Audience - Upright 81% · 500 ratings
IMDb Rating 7.3/10 10 4279 4.3K

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Plot summary

In a changing world where television has become the main source of information, Adam Caulfield, a young sports journalist, witnesses how his uncle, Frank Skeffington, a veteran and honest politician, mayor of a New England town, tries to be reelected while bankers and captains of industry conspire in the shadows to place a weak and manageable candidate in the city hall.


Uploaded by: FREEMAN
March 24, 2019 at 08:53 AM

Director

Top cast

John Carradine as Amos Force
Basil Rathbone as Norman Cass, Sr.
Anna Lee as Gert Minihan
Dianne Foster as Maeve Caulfield
720p.BLU 1080p.BLU
987.97 MB
1280*682
English 2.0
NR
23.976 fps
2 hr 1 min
Seeds 1
1.9 GB
1920*1024
English 2.0
NR
23.976 fps
2 hr 1 min
Seeds 3

Movie Reviews

Reviewed by zetes 7 / 10

Paradoxical

Never have I seen a film which is so terrible on the one hand, yet so watchable on the other. I was bothered to no end, but I was actually touched at the film's end. This fierce split in my opinion is easy to explain, however. The script of The Last Hurrah is one of the worst ever written. That's shocking considering the man who wrote it and the man who directed it, Frank S. Nugent and John Ford respectively, created many great movies together, including The Searchers and Mister Roberts. I say that the script is awful because of two main reasons, and they are huge reasons:

1) It is very unfocused. What is its point? Is it an in-depth political expose, a character study, or a melodrama? These categories are not mutually exclusive, but you wouldn't know that by watching The Last Hurrah. It goes from one of them to the next without ever mixing two. Shouldn't the role and relationship of Adam, the mayor's nephew, be more clearly defined? 2) all supporting characters, every single one of them, is a sit-com level caricature from Ditto to Junior (and especially Ditto and Junior). There are clear good guys, and clear bad guys. They might as well all be wearing black or white ten gallon hats so that we can discern who is who more quickly.

Really, there is only one pro, but, to be sure, this pro makes the movie totally worth watching: Spencer Tracy. Man, is he great in this film. His character, Frank Skeffington, is really not much less of a caricature than the rest of them, but Tracy imbues him with so much life and personality that he becomes very endearing. To judge only by the script, I should not have cared what was going on at all, yet Tracy made me care, deeply, at times. Up until tonight, I always bragged in a jokey manner that, despite my having seen over 1,200 films, films from every decade, every genre, every period of America films, not to mention a plethora of foreign ones, I had never, ever seen a movie with Spencer Tracy. Maybe it wasn't so much a brag as it was an oddity. Now I can safely brag that I have seen him act, and that he was one of the greatest. I cannot afford to put him off any longer, one who so amazingly saved such a train wreck of a movie, The Last Hurrah. 7/10.

Reviewed by didi-5 7 / 10

classic Spencer Tracy

Tracy plays Irish-American Frank Skeffington, an old hand re-seeking political office for one last time, with dreams of helping the slums along, and, along with his cronies, leading the victory parade on St Patrick's Day. Will he make it? 'The Last Hurrah' is a tour-de-force, with John Ford's sharp direction, and several old timers making an appearance, such as Basil Rathbone as one of Tracy's more vehement opponents. Tracy of course is as excellent as ever, and there are some nice scenes between him and Jeffrey Hunter (playing his nephew).

Whether showcasing the camaraderie between Skeffington and his supporters, or giving the viewer a masterclass in acting, 'The Last Hurrah' cannot really be faulted. Even if the last half-hour of the film is a bit cloying, Tracy's last line is on target and raises a smile as the end card comes up.

Incidentally, this film was made in 1958, a time when black and white films mixed with those in colour to no-one's detriment. It would be interesting to see if a similar subject would come across as well today, in colour. It makes one long for the return of black and white for some genres.

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