There was a lot of potential in this story about the fall of the Roman Empire and how the last Roman Emperor became Pendragon, father of King Arthur.

Unfortunately the entire thing is reduced to a very poor TV movie, and although the weak screenplay plays its part, this film is really case study for anybody who wants to know how abysmal directing, excruciatingly poor cinematography, bafflingly bad editing and over used scoring can take a cast that for the most part is award-winning, (with the exception of the dreadful man playing the villain) and make them look worse than community theater.

It is clear from the outset that the director has not got the first clue what he is doing. The actors have been given very little guidance. They deliver their lines, but are given absolutely no room to emote. Any moments where these world class actors would be looking thoughtful, or considering what they're saying with gravity is all edited out of the film, and the interchanges in dialogue are spliced so close together, there is never a moment where scenes are alllowed to breathe. It's all edited and directed at schlock B grade television pace. Add to this the fact that the cinematographer is obsessed with mid-shots and 2 shots and a composer who doesn't know when to shut his orchestra up, and you something that is barely movie of the week material.

There are many adaptations and versions to the tale of King Arthur and his Knights of the Round Table, with Merlin the sorcerer, and of the magical sword Excalibur, some versions which set it into stone, while others, handed out by a lady in the water. The Last Legion is essentially touting a story about the beginnings of Excalibur and how it took to the former. However, it took a long route to tell this story, going all the way back to 400-something AD, a time where Rome is in turmoil.

Actually Rome is in turmoil ever since Julius Caesar got killed by friends, Romans, countrymen. In a time where generals scheme to usurp the throne and politicians of the Senate are corrupt as hell, it's little wonder why one of the best and most loyal generals Aurelius (Colin Firth) gets recalled to protect the rear of the new boy-king-god-Caesar Romulus Augustus, played by Thomas Sangster (the kid in Nanny McPhee and Tristan and Isolde). Naturally the enemies spring a surprise attack, and our merry men have to flee Rome, and journey to Britain to regroup with the 9th Legion (henceforth also known as the Last Legion), bringing in tow a seer Ambrosinus (Ben Kingsley), and a lady warrior in Mira (Aishwarya Rai).

Like most medieval stories with elements of magic or involving the higher powers from Mount Olympus, The Last Legion does away with the sorcery portion, like what Troy and King Arthur had done, opting instead to focus more on reality, and what possibly could have been done without divine intervention, or fantastical assistance. Thus this makes Kingsley's role a little redundant, and relegates him into a fortune teller rather than an all powerful wizard, despite his garb looking a lot like Gandalf's.

While it could have gotten away with its material given 10 years back, unfortunately the stakes in the genre have been raised, and everyone's expecting a spectacle of huge armies battling in hand to hand combat, with its combatants having some form of fancy killing moves. The Last Legion pales in terms of providing that level of detail and spectacle, and chose instead to provide unsophisticated battle scenes, or swordplay that is a tad too uninspiring. Most of the fanciful moves were reserved for Aishwarya, but even that too began to become repetitive. Not even her booby trapped enhanced short sword offered anything we're never seen before.

With characters you don't really care about, what made it a little unbearable amongst the good guys, was the totally hokey, unbelievable romance between Rai and Firth's characters. It doesn't mean that having characters from the opposite sex means they find each other irresistible and want to get into each other's pants. There is absolutely zero chemistry and zero buildup. One minute they're allies, the next they're admiring each other's swordplay, and then, the bed beckons. And if the villains justify what kind of heroes we get, then it's a no brainer that they are bland and devoid of any interesting notion. World domination seems to be their only objective, and both the Romans and the British (using the term loosely here) villains are merely caricatures.

As I said, while The Last Legion might have worked if it's released 10 years ago, this movie can't justify it being made now. It's suitable at most for that DVD rental for a lazy afternoon, but nothing more, and only if you're in dire need of some, or any, form of entertainment.

This is a nice production with an average budget, great sets and thundering battles about the fall of the Roman Empire. Although the complete Roman Empire decline and fall took centuries, by the end of fifth century it was simply a battleground for warring rival Caesars and Barbarians chiefs. The Germans gather, take over and pull down the Roman gates. The Goths commanded by Odoacer(Peter Mullan), king of Herulos, invade Rome(476 AD), assesinated Orestes(Iain Glen), father of emperor Romulus Augustulos (Thomas Sangster). The young Caesar is sent to Capri along with his preceptor Ambrosinus(Ben Kingsley). A motley group of soldiers led by loyal Aurelianus (Colin Firth) are assigned by senator Nestor (John Hannah) to free him. They're accompanied by a beautiful Indian warrior named Mira (Aishwarya Rai). Without another alternative, they travel to Britannia to meet the last legion, located near the Wall of Adriano; but they're pursued by relentless barbarians (Kevin McKidd, James Cosmo). Although the Romans had partially withdrawn from Britain and its politics essentially dissolved into chaos. Later on, it's thought that a minor war lord, probably named Artos, did his best to maintain civilization and Christianity in the west of England.

This is a larger-than-life production with good direction, interesting scripting, and enthusiastic performances place this far above the usual empty-headed historical spectacle. Several action scenes are outstanding with spectacular battle images and thrilling fights. Unfortunately, on small house screens much of the splendor will be lost. You will be left with the wooden Colin Firth and the gorgeous Aishwarya Rai in a love story that was underdeveloped due tho the film's emphasis on spectacle. The picture packs colorful cinematography by Pontecorvo and evocative musical score by Patrick Doyle. The flick is professionally directed by Doug Lefler, who previously made ¨Dragonheart , a new beginning ¨. Rating : Good, it's a nice extravaganza well set in ancient Rome, done in great scale and praised for its action sequences.