THE LESSON is a terrible title for an excellent film. It's an economically made film. It utilizes a small cast with only a handful of speaking roles. There are only two locales-a country estate (about 95% of the time) and a TV studio (the other 5%). The soundtrack orchestra is composed of only a few instruments. But it nonetheless comes off as rather classy. The situation is that a revered writer and his wife hire a tutor for their son whom they feel MUST be accepted by a prestigious college. The couple are both domineering. When they speak, it's an order. Their son is brilliant, but an emotional mess. The tutor is a handsome and articulate young man of mixed-race, who comes with sterling credentials (and is also an aspiring writer). The tutor lives in the house and sees a lot more than he would like to of the couple's private life. It turns out that a tragic event happened in this family five years earlier. What really happened and why? Gradually, one begins to see the complex web of relationships among the characters. Whose point-of-view should the viewer believe? This is an intelligent and challenging script, at times evocative of Tom Stoppard or Harold Pinter. The screenwriter, Alex MacKeith, is the real star of this movie. The cast are all fine, but I was a big Richard E. Grant fan to start with. He does not disappoint. Where I think the film falls short is in the pacing. It's a little flat. Every scene is played at the same level at the same pace. It could have used some peaks and valleys. It looks gorgeous though, with great art decoration and cinematography. Isobel Weller Bridge's musical score is just right.

The movie also has a lot of ideas about writing and writers. As Richard E. Grant's character says, "Good writers borrow; Great writers steal." There's a lot to this movie, but I don't want to spoil anything in this review. It would make a great double-bill with the documentary UMBERTO ECO-A LIBRARY OF THE WORLD. If you like Harold Pinter and Tom Stoppard, you would probably enjoy this movie.

In supposed thriller "The Lesson" aspiring writer Daryl McCormack (future huge star pending the right BIG role) is an English Lit tutor to Stephen McMillan, son of Julie Delpy & Richard E Grant (terrific) - whose other son killed himself two years prior. The domineering Grant's a once acclaimed author who's close to finishing his comeback novel, but in staying with the family at their beautiful, isolated home McCormack unearths secrets beneath their tension. Debut director Alice Troughton & debut writer Alex MacKeith tick the boxes, albeit with some clichés, to deliver a passable Brit-drama... that's sadly a tad too mild & predictable to be considered a true 'thriller'.

A film of two halves, if you like.

Is it a drama? Yes, kind of. Is it a thriller? It tries to be.

The first half sets everything up nicely and with plenty of dramatic tension, inner familial strife and forebodings about the water, sexual temptation and especially, plagiarism. So far so good.

Then we have the turning point about an hour in, and after that, all reason takes a holiday.

Are we to believe that Liam can remember the contents of a whole book?

Are we to believe that all this was planned from the start? Was the butler in on it?

I am sure that IT consultants everywhere were shouting at the screen about the 'deletion' scene.

Having said all this, it was well acted even though all the characters are quite reprehensible, and relatively well made with a decent first hour.