I know Turkish and you missed a lot for not knowing. By understanding what they are speaking, it would be much funnier. I watched this film twice and will watch it again. It is not a comedy but better than most of them. Try to find subtitles for this film or find a Turkish friend!

Let me give a summary instead.

Two astronauts go through a portal and find themselves in an other planet. The planet is being ruled by emperor and the emperor has an army of monsters and robots. The only think that he needs to get the ultimate power is human brain. (Two of them would be much better :D )

This should be enough I think. The film is simple enough but dialogues make the film even funnier.

The important think about this film is; it is a science fiction, fantasy, action film which was made with a low budget. It is also one of the first sci. fi. try for Turkish film industry. It is a brave attempt but like most of them really poor in quality.

The Man Who Saved the World is the true name of this movie, although nearly everyone refers to it as Turkish Star Wars.

Murat and Ali crash their ships on a desert planet that is no way Tatooine. That said, the footage of their crash is from Star Wars and footage of both the US and USSR space programs. Ali thinks that only women live on this planet, so he does a wolf whistle because in a galaxy long ago and far away me too does not exist. The whistle backfires and they fight skeletons on horseback before they are forced into the gladiator pits.

Our villain is a thousand-year-old wizard who has been stopped from destroying the Earth by a "shield of concentrated human brain molecules" or, as George Lucas would call it, the Death Star.

Our heroes escape to a cave where zombies attack and turn the children into the living dead, which gives the wizard more power, so our heroes and a girl go to a bar that is not in Mos Eisley . The villain gets them back and offers them all sorts of power and women to help destroy the Earth. He already has a golden brain and now all he needs is a real human brain.

There are more montser battles and escapes and then Murat finds out about a sword made by the 13th clan from a melted down mountain that is shaped liek a lightning bolt and protected by ninjas. Ali goes nuts though and for some reason, tries to steal the golden brain and this awesome sword and then get skilled by Turkish cinema.

Grieving for his lost friend, Murat melts down the word and the golden human brain and forge them into a pair of gloves and boots. He uses the Force, err, beats the unholy monster dung out of skeletons and beasts and even karate chops the villain in half. Then he does what you or I would - he flies away in the Millennium Falcon.

Making this movie even better is the fact that it shamelessly steals music from every movie that you love. It's main theme is "The Raiders March" by John Williams. However, it also lifts themes from Moonraker, The Black Hole, Ben-Hur, Flash Gordon, the Giorgio Moroder's remix of Battlestar Galactica, Planet of the Apes and Silent Running.

The decision to just steal the footage from Star Wars was a necessity. Suposedly, there were elaborate spaceship sets made on a Turkish beach that were destroyed by a storm and the studio refused to pay for new ones. Director Cetin Inanc bribed a guard at a Turkish film distributor and got the footage from a print of Lucas' film. However, all of the footage was spliced in from an anamorphic print - while this movie was shot in a different aspect ratio - making the Death Star look positively tiny.

It gets even sillier. The evil wizard has a wife who transforms into an old hag and a spider. There's a yellow vortex that turns men into zombies. Plus a man turns into a hairy ogre. All of these moments are also stolen from Bert I. Gordon's The Magic Sword.

Hey, you know how it goes. After all, Lucas stole quite a bit too. Ask Jack Kirby, The Dam Busters and Kurosawa. Maybe this movie brings balance to the Force.

Come on folks; this is George Chung meets Star Wars; somewhat tainted with nationalist and religious motifs... Otherwise, it is a helluva movie. For example, I love the scene where the pilots are bending their heads down (and bending over their knees?) to emulate the effect of diving with their tie-fighters. Or, vipers... That is one-of-a-king special fx. Love the helmets, by the way.

Aliens in the film can kill you out of laughter. Somewhere in the galaxy far, far away; these Turkish pilots riding on Imperial tie-fighters are using the karate-do to save the world. They ain't need phasers or other weapons. The power is strong in these two.

However, I seriously think the director did not mean to steal, er, lend, some of the Star Wars footage. At leastI suspect that was not his intention. Film's poster suggests otherwise, anyway. (see at http://upload.wikimedia.org/wikipedia/tr/8/8b/Afisdunya.jpg for yourself) It clearly states Galactica on it. I guess Cetin Inanc did not know the difference. Still some villains looked suspiciously Cylon through (tin cookie boxes were provide for the shining armor), with other monsters bearing a stiking resemblance to Battlestar Galactica daggit of Boxey, Muffit II...When to come to think of it, they also resemble the Cookie Monster.

Music is also great throughout; particularly with the fights scenes on the planet surface, the aliens riding horses and just the right music at the background you expect Indiana Jones to jump in the fun at any moment. anyway... Or, as the score changes, maybe Han Solo will show up... Or, Indiana Jones...

But it is not the worst film of the world. There is worst. Trust me. Try "Voyage to the Planet of Prehistoric Women." This is actually a re-edited version of a film previously released in the US as "Voyage to the Prehistoric Planet" (1965), which itself was an edited and dubbed version of the Soviet film "Planeta Bur" (1962). Hence, the US rocket-ships journeying to Venus bear the red star of the USSR.

And the "prehistoric women" do not appear in the original Russian film from which this was made. They were later added on. So, in this third version, Mamie Van Doren and several other well-endowed beauties lay around on rocks by the ocean and make thoughtful faces while they have a telepathic debate concerning the "alien invaders" from Earth. The girls worship a dead pterodactyl until the end of the film, then they pull the wrecked robot from the ocean and start worshiping it instead (proof positive that a blond is a blond, regardless of what planet she's from).

The cosmonauts and the girls never come face to face -- which is no surprise, of course, since their scenes were filmed six years apart on two separate continents.

Another favorite of mine is "Assignment: Outer Space..." As Rich Meyer puts it "There's a scene where an astronaut tries to escape a crash by jumping down to one of Mars' moons... Suddenly, there's an explosion when his ship hits. Unfortunately, the person handling the mattes was apparently sleeping that day, because you see an explosion in front of a bunch of buildings and behind a Chevy. Here we are in deep space near the Red Planet and there's a Chevy on a street in Italy. One of the most jarringly funny scenes I ever saw in a grade z movie..." Both these and some other great 8 films come in a single box "Classics from Outer Space," published by St. Clair Vision (USA), the one-and-only collection of must-see-to-believe-it Sci Fi films.