When a film feels it has to beat its message to death to get it across, it loses much of its effectiveness, and that's very much the case with director Andy Vallentine's debut narrative feature. The picture tells the story of an upscale Los Angeles gay male couple, Thomas (Nico Tortorella) and Oscar (Juan Pablo Di Pace), who become foster parents to a six-year-old boy (Matthew Jacob Ocampo) whose drug-addicted mother (Colleen Foy) is incarcerated. But, when mom is released from prison, she wins back custody of the child to raise as her own, a development that tears Thomas apart. His anguish is exacerbated by many of his LGBTQ friends becoming parents and Oscar's lack of interest in fostering another youngster, causing a serious rift in their relationship. To its credit, the premise behind this comedy-drama is admittedly refreshing for a work of gay cinema, but its execution misses the mark due to its unoriginal, undercooked, redundant screenplay. For instance, some of the humor is decidedly catchy, but much of the basic dialogue sounds like it could have been pulled from episodes of Queer as Folk. And then there are the trite characters and scene settings, many of which resemble entries from the Big Book of Gay Stereotypes, a lazy approach to telling this picture's story. What's most tiresome, though, are Thomas's endless laments about losing custody of his foster child and his indecisiveness about how to resolve his despair, script elements that become irritatingly circular and repetitive. Even the title is somewhat problematic in that it could easily be interpreted in several ways, several of which could be taken as misleading (which I'm certain is not what was intended). In short, despite this production's attempts at doing something inventive and different, "The Mattachine Project" is nevertheless one of those projects that clearly should have gone through a few more rounds of revisions and rewrites before being committed to celluloid.

Acting was amazing, story was on point and relatable for lgbtq+ families looking to start. During a Q&A the writer brought up that families aren't just an accident in our community, they are heavily thought out and planned. This film shows that.

I do wish they end of the movie wasn't an over shoulder shot, seemed like it was a reshoot and the actor wasn't available. I understand what they tried to do, but it felt forced and cheap to be honest!

I would see this move over and over again once it is more available after festivals.

Thank you for making a movie like this on a subject that is hard for couples to find information on.

As earnest as it is vapid, The Mattachine Family takes an awfully long time to say not very much about gay families and gays with babies. It desperately wants to be both amusing and heartwarming, but is neither. We get all the by-now-standard diverse gay movie stereotypes - the mixed-race lesbian couple, the flaming Asian best friend, etc. It's supposed to be finger-on-the-pulse contemporary, but actually feels depressingly seen-it-all-before. Nico Tortorella plays Thomas the gay husband who is tortured about whether to be or not to be a father. We're clearly meant to find Thomas endearing, but I mostly found him infuriatingly self-centred and Tortorella's performance annoyingly mannered. The notion of fatherhood for Thomas revolves entirely around personal fulfilment, with not even a second's thought given to what might be good for a child. Which left me really wishing he'd get a dog and not subject some poor kid to his emotional neediness. I should have trusted my instincts and switched off when the first 15 minutes made it grindingly obvious where it was all going, but I hung in there, hoping to be surprised. I wasn't.