Don't judge this by today's standards where RuPaul wins Emmys and Pete Buttigieg is in the Cabinet. I am the same age as the guys in this film and was coming out as a gay man during the 1960's. Stonewall hadn't happened and there were ZERO gay role models. We can roll our eyes as these performers strut their not-so-spectacular stuff, and we're aware (as they are not) that AIDS will ravage. But give them their moment. They're bold and funny and, most of all, brave. At the time, they could be arrested for gay behavior, let alone ostracized and fired. It all kinds of glorious... for a night.

Decades before Paris Is Burning and RuPaul's Drag Race helped normalize drag culture, this film about the 1967 Miss All-America Camp Beauty Pageant was there. For many, this was their introduction to the world of competitive drag.

Beyond the celebrity judges like Andy Warhol, Larry Rivers, and Terry Southern., this film takes you behind the curtain to show what it takes to become part of this world. There's also an infamous speech by Crystal LaBeija, who would go on to be part of the aforementioned Paris Is Burning.

The winner of the contest - which was disputed at the end of the movie - was Rachel Harlow, who unsuccessfully tried out for the role of Myra Breckinridge. You can see her screen test on the DVD of that film. Trust me. She was better off not being in it.

You can't get much stranger than this 1967 documentary that takes a look at a New York drag show where contestants compete both on and off stage for the crown. Running just over an hour and filmed with hand-held cameras, THE QUEEN is tacky, vulgar, distasteful, embarrassing, and often quite funny as it peeks behind the scenes of the event. But the film is more than accidental camp humor--it really is a historical artifact.

Very few gays or lesbians were "out" before the 1969 Stonewall riots, and the contestants shown here are among the few... and not only were they out, they were out as drag queens, doing the unthinkable by stomping across the stage in evening gowns, heels, and eyeliner. This is not the sort of drag that has entered popular mainstream entertainment via such performers as RuPaul: this is in-your-face, I-am-what-am, I-don't-care DRAG as performed by skinny teenagers with bad skin, fat guys with bald spots, and tough men with hairy chests and tattoos. This is big hair, big make up, and big attitude, and it is all the more unnerving because it isn't just a character that the contestants put on and off. This is the reality that sparked a thousand stereotypes.

Much of the film's entertainment value is accidental. There is nothing funnier, or more painfully embarrassing, than a chunky drag queen in out-of-style clothes. THE QUEEN is really too superficial to be called significant, too tacky-funny to be taken very seriously--and yet, it does make you wonder about the lives of those before the Stonewall Riots, the Gay Liberation Movement, the Anita Bryant hysteria, the advent of AIDS. And therein lies its power: it is a time machine, badly filmed, yes, superficial, yes, but a time machine just the same, capable of giving us a glimpse of what it was like to be gay, a drag queen, and in New York in the mid-1960s. It won't be to every one's taste, but it is worth a look if you can find a copy.

Gary F. Taylor, aka GFT, Amazon Reviewer