This is the sequel of "Le grand blond avec une chaussure noire", 1972. By mistake, i watched it before i watch the first movie. However, this is a comedy in the vein of PINK PANTHER franchise with Peter Sellers, so it's not a big deal. I mean, you can watch these movies even in the wrong chronological order.

Now about the sequel itself, this is not a very good movie but it was entertaining enough to watch it. Good actors and some hilarious moments that made me laugh out loud. The beginning was not interesting but as it progressed, it was getting better.

A good, naive and funny comedy for all the family.

The fun which audiences had due to Yves Robert's ingenuous story telling methods in "The Tall Blond Man with One Black Shoe" continues without any break in "The Return of the Tall Blond Man". Much of the action concentrates its focus on the notion that if a spy is created for some specific targets to be met, this person can also be allowed to die once those targets are achieved. French actors Pierre Richard as a spy and Mireille Darc as the spy's girl friend travel to Brazil as love birds where they are able to escape danger by being vigilant during all times. A key aspect of this film is about how a bureaucrat would try to do anything possible in order to please a minister ? This sub plot brings a fresh twist to the story wherein direct political involvement in matters of spies are brought to the fore. This situation gives rise to a minor yet decisive conflict between a secret agent and his contemporary.The fun does not seem to end as a lot of comic situations are added in the film to depict the futility of espionage.

Between them the other two posters seem to have got it just about right. In other words this IS a sequel that works as well as if not better than the original. Those who missed the original are quickly brought up to speed with a particularly brilliant precis which concludes with a natural link that enables us to zoom straight into THIS film, picking up 'Blondie' and Christine in Brazil even as back in Paris a colleague of the late Milan is preparing the ground to discredit Toulouse (Jean Rochefort) again utilising Perrin as an unwitting pawn. The stage is now set for more assassination attempts that go comedically wrong and allow the excellent cast to turn in standout performances - Mirielle Darc gets a 'with the participation of' credit and is off-screen for the bulk of the action suggesting problems behind-the-scenes - as they did the first time around. The two films are now available as a DVD package and are highly recommended.