Dudikoff stars as Michael Atherton a gunfighter and ex-union soldier, after stumbling across a woman being beaten by some no-good scum, Atherton naturally steps in and saves the girl(Valarie Wildman) and in the process finds himself targeted for vengeance by the family of one of the guys he killed and it's not long before Atherton is caught, beaten and almost killed, only to be saved by Wendy the girl he saved before, Atherton takes aim at taking down the family and does, however the sheriff has a vendetta, one that goes all the way back to the war in this far-better-than-you-would-expect direct to video western which features a decent story and Dudikoff in good form. This, The Silencer, Soldier Boyz and Virtual Assassin are the only watcahble movies from Dudikoff in the 90's. However where as Dudikoff is well suited to the role of a western, it's Randy Travis who ends up making the most impression and in turn steals the movie.

3/5 Matt Bronson

THE SHOOTER is a fairly middling straight-to-video western flick which is pretty good considering that it was directed by Fred Olen Ray, the king of the sci-fi B-movie. The film stars action favourite Michael Dudikoff as the usual mysterious gunslinging hero who rides into town and helps to clean out a gang of bad guys who have been busy oppressing the loyal townsfolk. There are scenes of whipping as well as a heck of a lot of shooting, a graphic and strenuous sex scene, and some overacting from the supporting cast members. By comparison Dudikoff underplays it throughout and is given a bit of a dull character to work with. William Smith's bad guy is better although the film as a whole is strictly average.

I'm surprised about the many female voters who even give this film better marks. My thought about this film was that the target audience is adult and male. Whipped and tortured women, merciless revenge and a high body count are typical ingredients, introduced into film history by the spaghetti subgenre. The opening and the hand-smashing are DJANGO rip-offs. THE SHOOTER however lacks the style of e.g. DJANGO. Score, acting and cinematography are mediocre at best but if you look for the above mentioned ingredients you are in the right place here. And the actors don't have an Italian accent.

4 / 10.