Basically a story about the theft of a "process", which we may here define as a "MacGuffin", around which an elaborate industrial con game is organized.

In any game (an activity with rules, more than one participant, and a recognizable outcome) there are only three elements: (1) physical skill (you outdrive the cars pursuing you), (2) chance (you jump off the roof and an awning breaks your fall), and/or (3) strategy (you outwit your opponent). Unlike most action movies, Mamet's stories are almost entirely about strategy.

That might make it sound like rather less than it is. Mamet seems to love puzzles -- and puzzles within puzzles -- and the lengths people will go to manipulate one another and, man, is this a prize-winning example of his obsession. As in "House of Game" we have a big con that goes a little astray and winds up not only with the theft of a priceless invention but murder as well.

I realize "Glengarry Glenross" is probably Mamet's most highly esteemed work but I think "House of Games" and "The Spanish Prisoner" are more engrossing because more things HAPPEN. Mamet's dialog always involves a lot of byplay, repetition, non sequiturs, and general ellipsis, but the elegant stylization isn't worth much if it doesn't go anywhere. Here the plot moves from the Caribbean to New York to Boston and with each step the conundrum becomes more difficult to figure out.

Of course the plot is an implausible one because it depends on the heavies being able to predict precisely the moves of the mark, down to small basically unforeseeable details, such as his snooping in a secretary's desk and stealing a souvenir FBI card out of her scrapbook. But it hardly matters because we're swept along so fluidly in the mystery that we don't really question these events. The viewer, by the way, is kept as much in the dark as Scott Campbell, the protagonist.

The performances are all quite apt. Scott Campbell might be a terrific inventor but he's kind of a dim bulb in other respects. He's the kind of highly conventional Schlub that wouldn't DREAM that anyone, let alone an entire organization, would lie with comfort and such powerful effect. You have to wonder what his voting record looks like.

Rebecca Pigeon is, I think, an actress who never got the kind of attention she deserves. She's beautiful in an unconventional, petite, brachycephalic, angular way and her locutions and expressions always seem to suggest she may know more about what's going on inside your head than you do yourself. She delivers Mamet's stylized speeches efficiently but in other films has demonstrated considerable range. "You never know who a person really is," she says. Something else. She may be treacherous, and he may be wary of an office romance, but they seem genuinely attracted to one another. Near the end, when Scott finally kisses her, she draws back and says, "Crikees!", as if amazed and tickled. This is a set up for a final scene when she is hustled into the police van. She's supposed to break away from the cops holding her, run to Scott, throw her arms around him, kiss him fiercely, and confess that her feelings had changed to true love. But no! Thank heaven she has no remorse at all and leaves him with a wisecrack and a sardonic smile. Mamet is nobody's fool.

I ought to mention the score. It's mysterious and melancholic. The main theme is built around a handful of descending notes and the orchestration is simple but a little odd -- bass, piano, quiet woodwinds, and chimes. It is so weird and catchy that it could just about stand on its own.

Repeat viewings don't spoil the polish, even though the viewer knows the solution to the mystery. It's an original commercial product and it's enjoyable.

For the benefit of those who haven't seen the film, 'The Spanish Prisoner' is a con game playing to a victim's vanity and greed. I didn't know that before watching the picture, but have seen the modern day, internet equivalent in action that goes by the name of a Nigerian Money Transfer. Same idea, you'll get rich if you shell out some cash to help out a 'rich' unfortunate in a foreign country. Sure, and there are bridges in New York City you can buy too.

This was a compelling and intriguing story up to the point when Joe Ross (Campbell Scott) knew he was duped. Then it sort of fell apart under it's own complexity. What gave it away was one main thing. In a glaring unforced error in screen writing, Ross's contact at the FBI accepted his cold call and agreed to meet him at a questionable location. Ross, who was smart enough to come up with 'a process' that would control the global market for his company, didn't have an inkling that the odds of getting face time with an agent were virtually nil on the basis of an anonymous phone call. That one instance lowered the credibility factor of the story for me, and then it was a patient wait to see how it all played out.

One thing though, I'd never seen Steve Martin in a serious role before and I thought he did a great job as the enigmatic Julian 'Jimmy' Dell. His role was critical in setting up the scam, the grift as it were, The Spanish Prisoner trap for Ross. I liked what he had to say about good people/bad people, that people generally look like what they are. I've often come to that same conclusion myself, it's sort of an intuition you get about someone who might not be playing it straight with you. I thought Jimmy Dell was giving off that vibe even while being generous to a fault with Ross. But if you're looking for that switch with the red bound book containing 'the process', you're not going to see it. The camera never leaves the book when it was positioned on the ledge by the phony FBI agent and then handed back to Ross. You just have to take it on faith that the scam was pulled off.

So without analyzing things too thoroughly the film is a good enough mystery flick, but still, it's the little things that bother me. Like the switch Joe Ross himself made with the Budge tennis book. It turned out to be a maguffin of sorts with no bearing on the outcome of the story, just like Jimmy Dell's 'sister' ruse. And in the end, Joe Ross WAS the victim of an elaborate scam because his process notes were gone along with his expected big time pay day. Some days, it just doesn't pay to chew through the restraints.