This film begs the question "On what day did the lord allow the filmmakers to make this movie - and couldn't he have rested on that day?"

They have a lot of audacity promoting this as some new earth shattering film in the horror genre. Maybe if this was a 10th grade high school amateur film I'd give it some merit.

The actors are horrible, the dialogue is ridiculous, the things the actors say are so dumb where you're like "Really? That's your reaction to blah blah blah?". The charactors are so obnoxious & irritating. The story is so jumbled aloong with shaky, jerky camera movements along with poor special effects.

The filmmakers & actors should be ashamed of themselves and embarrassed. Movie was totally dumb & a let down considering all the hype. It's so bad at times you literally laugh out loud. Major fail.

By the way, any time a movie trailer starts off with showing about a dozen or more of those oak leaves (or whatever leaves they are) award symbols that say things like "Winner Berlin Film Fest" etc etc - you know the movie will be horrible. Same thing with all the phony quotes like "Terrifying!", "Scariest film since The Exorcist" etc. Speaking of The Exorcist; if this film was trying to be on the same level as it, Hellraiser, Halloween, The Thing etc., it failed miserably. If it was to be in the comedy/horror genre it would still be like a high school movie project.

Also, if you look up "Two Witches teaser" there is a minute and a half clip that isn't even in this movie. I watched the two "behind the scenes with the two directors/writers" and was blown away about how delusional they are thinking that they created some epic horror film and that there is more coming to the "Two Witches Universe". I will say they both seem like super nice guys but I think they are surrounded by people telling them how great the script is, the photography, the acting is - when it's not. It's like they are living on Fantasy Island.

The only reason it gets 2 stars instead of 1 is because I heard a new, cool song in it.

Sarah (Belle Adams) may have never intended to be a witch but comes face to face with the craft when she meets a strange woman at a restaurant. In contrast, Masha has always known that she will one day become one.

In Sarah's story, "The Boogeywoman," our heroine is pregnant and her husband cooly informs her that all her visions of witchcraft are just the hormones talking. Oh yeah? Then who is the stalker in the woods casting spells on photos of your wife? Then, as these things happen, a Ouija board gets involved and the darkness sees out.

In "Masha," the titular protagonist is a woman who knows that her magical powers are there and waiting for her grandmother to die and pass them on to her. Despite her inability to find the man she feels will complete her, she soon finds the power -- and the madness -- to do pretty much anything she wants.

Although these stories don't seem to be connected, they are at the end, as the film hints that these women are part of a larger universe. Director Pierre Tsigaridis told Horror Obsessive that "I was really influenced by Italian cinema...Italian horror movies in the '70s were criticized by Americans because they didn't follow a typical structure, more visuals over story. In Europe, that was more common."

This movie starts off with a bang, featuring a witch devouring a baby, and then doesn't really slow down all that much from there. You can see hints of everything from Suspiria (both versions) and The Beyond to Carrie, Single White Female and Drag Me to Hell in these stories. And the fact that the villain from the first story has an impact on the second excites me for how this series -- I hope it's a series! -- of films grows.