The acting is good, and that is the only reason why I gave it 2 stars. This movie; I don't know if the writers, and whoever produced this movie just had money to burn, but there was no point to it whatsoever. Trust me, you will feel so angry that you wasted Time by sticking it through to the end... The synopsis of the movie lead you to believe that has something to do with vertigo movie spoiler. This has nothing to do with vertigo. There is No point to this movie, you have been warned, make the right choice and skip right. Ok so apparently my review is too short! I can't not express enough unless you are trying to make your life miserable then watch it. Other wise please skip it!
Vertigo
2019 [KOREAN]
Action / Drama / Romance
Plot summary
Haunted by past wounds from her parents, Seo-young suffers from tinnitus and vertigo which started when she had moved to her new office in the sky a few months ago. Seo-young and Jin-su, the manager of the development team, are secretly dating, but becomes vulnerable to an unexpected provocation. Saddened by the death of his only sister, Gwan-woo navigates around a 70-story high-rise on ropes. While cleaning windows on ropes at Landmark Tower one day, Gwan-woo becomes intrigued in Seo-young who watches him in awe from the other side.
Uploaded by: FREEMAN
June 19, 2022 at 12:14 AM
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You will never get the time back! Worst movie ever!
Beautifully shot and acted, but ultimately silly.
Chun Woo-hee, whom I remember from the excellent 2013 social drama Han Gong-ju, stars in this melancholy urban romance as a young corporate office worker, hopelessly in love her unit boss. The cinematography is very crafty and coupled with slow-paced editing. A somber, whimsical mood persists throughout the film. I personally find Woo-hee a terrific actor and here also she is very adequate as a depressed, vulnerable young professional with a minor disability. The rest of the cast is, unsurprisingly, very decent. However, considering all this, the storyline is very unremarkable, cliched and ultimately, rather silly. I mean, all the themes that the writers wanted to touch upon here - namely the cutthroat corporate professional insecurity, the office politics, the social differences of class, urban existential loneliness, the millennial indecisiveness - all of these do not really culminate into anything remotely close to profound. Hence, all of that moody, heavy handed melancholic beauty of its photography, soundtrack and slow editing seem superfluous.