Normally you review a film by comparing it to something.

There's nothing like this. Dealing with highly uncomfortable and totally understandable scenarios, while occasionally managing to be outright hilarious while never letting go of the central theme of how we see ourselves in our deceased.

Not for everyone, but if you get it....

Suburbia has transformed from an innocent place with friendly neighbors to a world full of miserable, sometimes disturbed people, dreams deferred, and earth-shattering secrets. From this year's Sundance Film Festival we have Bobcat Goldthwait's dark comedy World's Greatest Dad, we delve once again into the unknown of Any Town, USA.

This film mainly takes place in a school setting, but the themes and conflicts that arise coincide with those found in other films about suburbia. Robin Williams stars as struggling writer Lance Clayton. He lives with his son Kyle (Daryl Sabara), a porn obsessed, perverted teenager who attends the private school Lance teaches a not-so-popular poetry elective. There is tough love between the two. It's a typical teenager vs. the parent relationship only the censors have been turned off.

Lance is dating another teacher on staff, Claire (Alexie Gillmore), who he suspects isn't totally committed to their relationship. Life isn't getting any easier for Lance who struggles to reach his students or find a publisher for his work. When things couldn't get any worse, Lance suffers a blow few could recover from. From tragedy comes opportunity and it is up to Lance to decide what is the right thing to do.

It would be wrong of me to give away the tragedy, but it is something that does occur in Any Town, USA. In fact it happened not too long ago just a town over from me. It's the first time I can think of it being used in a film, or at least of this magnitude. There are several times during the film that I felt uncomfortable, but not to the point of disgust. There are some pretty heavy issues handled here and I think it is tasteful.

Williams does a fine job, especially in the second half of the film. For a comedian I can imagine it being difficult to change emotionally like that, but Williams has proved time after time in films like Good Will Hunting, One Hour Photo, and Insomniac that he can play just about any role thrown at him. He has a presence that is very real and powerful.

I was surprised by Sabara's performance as Kyle. I had only seen him in Spy Kids so I really didn't know what to expect. He seemed to have a clear idea of who Kyle was and what is motives are.

Goldthwait, who also wrote the screenplay, tackles a lot of issues both for adults and teenagers. At first I thought the film was going to end up like last years Towelhead, a hodgepodge of issues and conflicts that are each could have been their own film, but here we have an even dosage of each, culminating to a great finale and realization by William's character.

The film isn't perfect. One thing I don't like films to do is talk about other films. I feel like it is only a way for the writer to show off his movie knowledge and personal views about certain movies, although one segment involving zombie movies is relevant to the story. Occasionally it can be beneficial. Some of the scenes were a bit overdone with cheesy, overused dialogue, and some of the deliveries felt like they were just saying their lines and not really connecting with them.

Overall I was impressed. Goldthwait is not a big time filmmaker but this is certainly a step in the right direction (he has acted in several films and worked on other projects behind the camera). Williams gives one of his better performances as of late, but he doesn't steal the show. I thought the story was good enough to stand on its own, which is a very good thing. I hope this film doesn't get completely overlooked this year. You should try to see this one if you can.

Robin Williams is a man of two halves, the brilliant 'The Fisher King', 'One Hour Photo' and 'Insomnia' to name but a few and the rubbish 'Flubber', 'Patch Adams' etc. His work never seems to have any grey area he is either proving he can act or acting the fool. In his latest role as Lance Clayton in Bobcat Goldthwait's (yep the guy out of Police Academy) 'World's Greatest Dad' he is once again showing us he's still got what it takes as he tackles the role of a father who loses his son to a tragic accident. This though is no straight drama and contains humour that is very dark indeed. Lance is an aspiring writer who can't seem to get published, he is also a teacher who runs a very poorly attended poetry class and the father to Kyle, perhaps the most obnoxious kid to ever grace our screens. After an accident presents an interesting opportunity for Lance he grabs it by both hands and runs with it until it reaches its unnatural conclusion. Well acted and directed this is a film that would sit perfectly with say Junebug, Thumbsucker, Igby Goes Down and Wonder Boys as one of those quirky small town America trag-coms that you find yourself laughing at even when you shouldn't and one that can at times make your skin crawl ever so slightly. Like finding yourself staring at a car crash you won't be able to look away as the pacing draws you through the story with ease and although it deals with matters that are slightly taboo its ultimately an enjoyable watch and one which cements Williams reputation as a comic actor adapt at playing the wounded human soul.