Baaria

2009 [ITALIAN]

Comedy / Drama

4
IMDb Rating 6.9/10 10 8245 8.2K

sicily, italy fascism mafia communism

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Plot summary

Giuseppe Tornatore traces three generations of a Sicilian family in in the Sicilian town of Bagheria (known as Baarìa in the local Sicilian dialect), from the 1930s to the 1980s, to tell the story of the loves, dreams and delusions of an unusual community.

Director

Giuseppe Tornatore Photo
Giuseppe Tornatore

Top cast

Monica Bellucci Photo
Monica Bellucci as Bricklayer's Girlfriend
Ángela Molina Photo
Ángela Molina as Sarina
Raoul Bova Photo
Raoul Bova as Roman journalist
Gisella Marengo Photo
Gisella Marengo as Matilde
720p.BLU
1.44 GB
1280*544
Italian 2.0
NR
Subtitles us  
23.976 fps
2 hr 40 min
Seeds 9

Movie Reviews

Reviewed by ccrivelli2005 6 / 10

A Very Personal Epic

The film was received last night with an ovation. I was there in the audience, applauding. What a beautiful looking film! That was last night, today I found myself in difficulty trying to describe what I had seen. Where to start? With a kid running? Or, with Giuseppe Tornatore himself, a skillful craftsman with too much power? I suppose Tornatore is what I've carried with me from the experience. He tried to give us a "1900" but just hinting at the highs and lows with pretty pictures and Ennio Morricone. More Zeffirelli than Visconti. More Richard Attenborough than Bernardo Bertolucci. We in Italy need to see one of our most successful directors as an artist, as a man of culture. That's a trap an inhuman trap. The superficiality of "Baaria" is disguised by alluding to great themes with heavy "artistic" moments, dream like, magic realism, slow motion, but at the end of the day the superficiality shows up. Some of my favorite films appear superficial when in reality they are not. But I get terribly impatient when the opposite is true. I don't want to be negative towards this effort and I'm sure it will find a large audience all over the world I just don't want it to be presented to me like the serious work of a great artist because it's not. I loved Tornatore's "A Pure Formality" and the first part of "Cinema Paradiso" From "Baaria" I loved the beautiful faces of the two new comers in the leading roles and most of the score. I found the brief appearances by famous Italian actors entertaining but distracting. Perhaps that was the intention. Now, all said and done I will urge you to see it and make up your own mind.
Reviewed by carladionizi 8 / 10

Local boy remembers

Lovely to look at. A chunk of 1900 set in a small Sicilian town, that town where Giuseppe Tornatore, the writer director, was born. I thought it was a delightful two and a half hours of snippets between fades to black. just like memories work, a bit of this and a bit of that. A tapestry of highs and lows among the remarkably unremarkable. My only puzzlement comes with the way Italians are reacting to "Baaria" Even if it was at the top of the box office charts there is tendency to dismiss this film for not confronting this for not confronting that for being too "clean" and a lot of other absurdities like that. This is an epic, expensive looking, personal film by the anointed "best living Italian Director" which means a director that is marketable in other countries, specially USA. I can predict that Americans will love "Baaria" in spite of the red flags and the romantic view of communism. They know that school of thought is by now as anachronistic as a typewriter and just as harmless. The leads are played by two scrumptious new stars and from the collection of cameos I took away with me Angela Molina and Lina Sastri remain vividly in my mind.
Reviewed by bethlambert117 6 / 10

Tornatore's Sicily in Venice

A red carpet event of major proportions. First time in 20 years that an Italian film opens the prestigious Venice Film Festival. The expectations were palpable. The film, as far as I'm concerned, a very personal 30 million dollar artsy rehash of a lot of common places. In a way the two and a half hours seemed to me the promotional teaser of a movie we have yet to see. In fact it looks and feels like a long, long trailer. Naturally, Tornatore knows how to steer sentiments and has a vivid commercial eye that survives in spite of the artistic aspirations. There are a couple of wonderful moments and it's a treat to see dozens of Italian stars making very brief cameos in a beautiful reconstructed city. The question is, after the emotional soirée, this morning it took me well after breakfast to remember the actual movie and I suspect that is because "Baaria" is too much and not enough at the same time. What come back to me at this very moment, trying to remember the epic is the wonderful face of Lina Sastri. So, Tornatore and his major collaborator Ennio Morricone are heading back to Oscar land. I wish them luck
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