I have enjoyed watching the film a number of times during several periods of my life and, as time goes by, I believe that it is gaining the general recognition it deserves! This is an epic drama about people dealing with personal demons within an amazing western scenery at the beginning of the 20th century in Western America. Everyone, including the father, the 3 sons and the "girl" is trying to heal the wounds inside. Tristan, the protagonist, is a wild spirit playing with fire, unable to form attachments for long. There is a constant battle going on inside him (between life and death, love and rage, passion and ethics, the visible and the invisible) affecting everyone around him. I would like to emphasize a point that I haven't read in other reviews: the boys' mother, even though hardly appearing on screen, has a key-role in the story: she practically abandons her husband and three sons, staying detached all the way, not even coming back for some major family events (funerals-weddings-births)! Such an abandonment causes tremendous emotional pain, relationship issues and deep trauma to everyone. The brothers are antagonistic, trying desperately to find their place in the world and prove their worth, one way or another: fighting at the war, excelling in politics, winning a woman's love and more! Tristan's magnetism seems to be so great that everyone (including us, watching) is willing to accept almost anything from him. He's something like a Sun for the women who loved him - they couldn't take their eyes off him, and we all know what happens when you stare at the sun... Does love conquer all? Sometimes yes, sometimes no... The movie is at times becoming overly dramatic, but I love it whatsoever. In my humble opinion, this is not a superficial soap opera - if you can read between the lines, there is a great analysis that can be done... Acting and cinematography are superb!

Normally love dramas don't interest me, since I find them boring and predictable. This film, while being more than "just" a good love drama, really impressed me. Many of the scenes are quite visually beautiful, some in cinematography, others in content. As a love drama, it's moving, and at times almost poetically beautiful. It involves three men, brothers, who are all in love with the same woman. She has a relationship with each of them, but ultimately realizes that she only loves one of them. The plot is very good, and evolves at the right pace for this type of story. Not terribly fast, but never stands still either. The actors all portray their respective characters well, nearly all of them giving a perfect performance. Anthony Hopkins is great, as always. There was not really anything in this movie that disappointed me. The ending scene involves some of the best cinematography I've ever seen. There is a very emotional scene near the end which is also one of the most visually beautiful I've ever seen in a movie. I recommend this to most fans of love dramas, and, to a lesser extent, fans of war dramas. 8/10

Stellar performances by the principals highlight this early Twentieth Century period piece, with an epic scope that spans the era of World War I and tells the story of a family torn apart, not so much by a global conflict as much as the internal one among it's own members. This is one of those pictures one might seek out for entertainment, but for all that, it's not an entertaining picture. The rifts that occur between the Ludlow Brothers fester for years to come following the Big War, as the presence of Susannah Fincannon (Julia Ormond) serves as a catalyst for a family's undoing. It's Susannah that my summary line refers to, spoken by Cree Indian One Stab (Gordon Tootoosis) who's understanding of the ways of Man and nature permeate this story with insightful recognition. Exceptional cinematography and an emotional soundtrack complement the flow of the film nicely, though one must contend with the director's sense of melodrama that at times tends to overwhelm the narrative.