For a long time I put off watching this, because I have no interest in superficial, teen comedy flicks, as implied by the film's pedestrian title and by the casting of a youthful Brad Pitt. But "Meet Joe Black" is anything but "superficial", and "teen comedy" does not describe this movie at all.

Set in contemporary New York, the film follows a wealthy family whose patriarchal sixty-five year old head, played by Anthony Hopkins, is nearing the end of his life. Enter "Joe Black" (Brad Pitt), a handsome, but enigmatic, young man with an unusual agenda.

This is a thought-provoking movie about mortality and emotional separation. It will appeal to viewers with a reflective and philosophical nature. But the film also has humor, which keeps it from being grim. The pace is slow. There's lots of silence and stillness, entirely appropriate, given the subject matter. Among other things, the film presents the novel idea that a supernatural being can be subject to human emotions, and can make mistakes in judgment resulting from those emotions.

The film is not perfect. The plot is a tad egocentric. There's no reference to the universality and ongoing occurrence of death outside the confines of this family. Also, why now? Why does death choose to engage life in our present world, why not five hundred years ago? Minor script changes could have addressed these issues. The initial meeting between Susan (Claire Forlani) and Joe Black seems a little too convenient, but forms the basis for a plot twist that strengthens the overall story.

The acting is excellent. Anthony Hopkins is, as usual, outstanding. I would not have cast Brad Pitt in the role he plays, but he does a good job. Appropriate for this movie, the acting style for both Pitt and Forlani is one wherein they communicate their characters to viewers largely by means of their eyes, which, as taught by ancient philosophers, are the windows of the soul.

For viewers who liked "The Sixth Sense", another serious film with depth of meaning, I recommend "Meet Joe Black" most highly.

Death, who takes the form of a young man (Brad Pitt), asks a media mogul (Anthony Hopkins) to act as a guide to teach him about life on Earth and in the process he falls in love with his guide's daughter (Claire Forlani).

So this is a remake of a movie that was adapted from a play. Typically that could be concerning, as a remake is not often as good as the original. In this case, though, it may even be better... the cast is solid (with Forlani in one of her rare decent roles), and Brad Pitt making a name for himself (as if he has not already).

Really, this is a great display of Pitt's acting. He has solid range here, possibly more than anything else he has done. The character is very complex, and there is the odd twist that Forlani is attracted to him because he looks like someone he is not, and not for any deeper reason. Amazingly, even at three hours, this film never drags.