Based somewhat on the classic nineteenth century novel Uncle Silas, it tells the story of Maud (Agnes O'Casey) who, when her father dies inherits a lot of money and the vast family estate of Knowl. However her uncle (David Wilmot), accompanied by his son, daughter and a strange French governess come to stay after he is appointed as her guardian. It soon becomes clear that uncle's eye is on the prize and despite Maud's sharp tongue, wit and strength of will she is unprepared for the lengths he will go to to take control of all she has.

I was surprised how powerful and shocking this film would be and indeed, in places quite hard to watch. Whilst it is not exactly an unheard of piece of history, the power a man / guardian would have over a young ward and what he can 'rightfully' get away with is extraordinary and allows for something not far off a horror / thriller that becomes unbearably tense. This is helped along by fabulous turns from O'Casey, centre stage throughout and Wilmot who you just want to throttle as soon as you see him. The ending is a rather neat and tidy and seems rather rushed, but this is a minor quibble in a neatly tense piece of work.

'' Lies We Tell '' is a period piece with a dark, gothic story.

The movie has an impressive cinematogaphy, with sharp and harsh light and minimal aesthetics, leaving everything to the characters to enhance the drama.

The story, in addition, was pretty intense and the family drama, though not unique, thrilling and dark. The twists were also nicely handled.

However, the ending was a bit rushed and if they wanted to present the main character as the monster which she had to become due to the family and that house, well, they probably needed more scenes to prove so.

But, the performances were really strong by everyone and, especially, the main lead.